The Doug Fir
New
hotel/nightclub
good, but needs
a little work
by
Sam Soule for pdxguide.com
So
it's a recent Saturday night
and I'm waiting behind the
rope line outside "Portland's
hottest new nightclub",
the Doug Fir. I'm one of about
thirty people waiting to get
in to see that rarest of things,
an interesting rock band from
Seattle. As I wait, I find
myself trying to remember
when was the last time—if
ever—I stood behind
a rope line to see a rock
show in this town. Then somebody
behind me puts voice to my
thoughts. "What is this,
New York?"
It's
true, this town
has really never
seen anything
quite like the Doug
Fir,
and its attached
lodging complex,
the Jupiter Hotel,
all recently opened
on Portland's
latest hipster development
stretch, lower
East
Burnside. The
exterior of the
place alone,
a vision of blue-and-green
lit patio romance
with what looks
to be something
reminiscent of
a stylized double-wide
nosing the sidewalk,
is enough to elicit
such comments
of
shock and mild
derision—Portland
is not such a
high concept town
when
it comes to rock
'n' roll.
Of
course, the Doug
Fir is not simply
about being a music
venue. It's about
a whole lot of things,
a requirement of
being just one component
in a sweepingly
synergistic party
complex. Unfortunately,
I'm just a simple
guy, not sweepingly
synergistic, at
all; but I am keenly
aware that Portland
desperately needs
a good small-sized
music venue.
Before
all the renovations,
I had visited this
location back in
the mid-90's when
it was just a dark
and dingy afterthought
to a Chinese restaurant.
The Chinese Tea
House, as it was
then called, played
host to a sporadic
string of punk rock
shows. I knew the
Doug Fir's performance
space stood to be
small. With all
the big changes,
I wondered how it
stood up now?
Pretty
good, really.
First off, the central
eastside location
is genius, easy
to get to with
limited
parking hassles.
The passing of
shady street corner
packs
haunting the side
streets off Burnside
will amount to
the only evidence
of "urban
grit" involving
any evening spent
at the Doug Fir.
Inside the polish
is on. The Doug
Fir delivers on
all the style
and atmosphere
the exterior
promises (and
then some). Brown-toned
and splashed with
white light, the
retro-modern resort
lodge design scheme
may well be inspired
by someone's unhealthy
preoccupation
with
Lincoln Logs,
the Brady Bunch,
Denny's,
and the Jetsons.
We're talking
fabulous with
a capital FAB.
Taking
the tour from
top-to-bottom, upstairs
is a lounge
with slinky mirrored
alcoves overseen
by a brilliant
crystal-looking
moose head mounted
on one wall; as
well an unambitious
Americana-stlye
family restaurant,
resplendently
decked
out with all the
log trimmings
and an expert flair
for groovy futurama.
Though kids are
welcome until
the
late hour of 10:30
p.m., the "Fir
Burger" playfully
pays little respect
to traditional
family values
throughout
the day. An even
nicer touch on
the menu is the
naming
of three omelets
after local rock
clubs no longer
in business: the
Satyricon, the
Blackbird and
the E.J.'s,
respectively.
Of
course the Doug
Fir has none of
that organic-decay
feel that characterized
much of those aforementioned,
and dearly departed,
rock clubs. That's
the kind of atmosphere
certain Portland
show-goers seek
out. (Typically,
me.) No, it's all
logs, brown carpet
and glowing white
cubes to rest a
drink on down here;
no resemblance remains
(thankfully) to
the days of the
Chinese Tea House.
But the Doug Fir
is, by virtue of
clear-sight lines
to the stage, its
killer sound system,
stylishly cozy environment,
and (what looks
to be) strong booking,
the best small venue
in town to see a
show. There are,
however, some significant
drawbacks.
By
midnight I was
downstairs sitting
comfortably
on the backside
of the Doug Fir's
island bar noting
how horribly everyone
looks when lit
from below (the
floor
around the bar
glares up with white
light).
A great equalizer,
that. The Seattle
band had proven
to be as interesting
live as they were
on record. But
what turned out
to be
even more interesting
was that the band
was packing it
in shortly after
midnight.
In a few moments,
a late-night wave
of waiting party
seekers would
break past the rope
line
outside for a
chance to dance
downstairs
to a scheduled
DJ. The eleven dollar
show I showed
up
for was over—for
the 21+ audience
I was part of,
the night was
starting
and finishing
at the same tome.
Obviously,
there was a problem
with priority
happening here,
and I'm not
the only one who
felt it.
A
friend of mine
summed it up regarding
the Doug Fir aptly: "They
dropped two million
on the place and
now they need to
spend the next six
years being the "it" spot.
Only, it's not
even that anymore."
The
flocks of people,
young and old, have
checked out the
Doug Fir. Obviously,
the venue is making
a play for all of
them, and in that
effort they may
be terminally over-extended.
As a potential location
for consistently
good rock show,
the place is brimming
with potential.
Perhaps they are
looking right now
to see what works.
I can tell you what
doesn't: Rock shows
presented in half
measures.
The opinions expressed
within are those
of the author and
do not necessarily
reflect those of
pdxguide.com or
The Columbian Publishing
Co.
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